Emigdio ''Mig'' Alvarez Enriquez was born on the year 1925. He is a Filipino by birth. He is a novelist, story writer, and a playwright. He started writing at the age of 20 while under the supervision of the Jesuits of Ateneo de Zamboanga. Soon after, he achieved his degree in Bachelor of Arts at Arellano University, finishing college as a budding author.

 
Among his famous literary works are Blood on the Moon, A tale of Two Houses, Cachil Kudarat (Sultan of Mindanao) or Cachil Corrala, and Labaw, Donggon. All of this short stories won palangca awards in the year.

After participating in fellowships at Yaddo Foundation in New York, Edward MacDowell Colony in New Hampshire, and Huntington Hartford Foundation in California, he returned to the Philippines. He later served as a teacher and director at the University of the East before joining the faculty at De La Salle University.





In his early thirties, he penned his debut novel titled 'The Devil Flower,' which received numerous accolades and critiques. It's believed that all the knowledge he acquired throughout his academic journey contributed to crafting this vibrant, bold, and vivid work. The novel skillfully blends medieval Catholicism with Eastern sensuality through its protagonist Ercelia. Despite being hailed as the epitome of innocence by her fellow villagers, Ercelia conceals a complex persona, delving into themes of revenge and passion. In essence, the novel mirrors the societal landscape of early 20th-century Philippines.



"The Doll" holds significant resonance as it critiques entrenched gender stereotypes within Philippine society. The narrative follows Narciso, a young boy who, despite societal expectations, plays with his mother's doll intended for a girl. His unconventional behavior sparks conflict within his family, particularly with his father, who views femininity as inferior. Through this tale, Emigdio boldly challenges gender discrimination and stereotypes, shedding light on the societal norms prevalent in the Philippines, and possibly beyond. Emigdio's handling of this story underscores his capacity to write not only for his contemporaries but also for future generations.

Emigdio Alvarez Enriques is fair one of the numerous proofs that Filipino journalists are more than what they are, but instep, more of what they type in. In spite of being eclipsed by endless and exceedingly conspicuous scholars, he was able to create works that speak to each Filipino being undermined by different societal variables and convictions. He could be a culminate case of a essayist who dares to disentangle the genuine shape of our society by communicating it in works so important, striking, and practical.


referenes:

https://medium.com/@gcrdm.17/breaking-through-constructs-c544fba89fed?fbclid=IwAR15pF-fcH0yjC5Dx6MgHq8oPHsmr5SzabqAJeL1ybvHQK8Pumsma5kGNlc

https://www.barnesandnoble.com/w/the-devil-flower-emigdio-alvarez-enriquez/1134606716

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